TTHE ANNUNCIATION

TOM SALVATORE FRICANO

“God sent the angel Gabriel to Nazareth, a town in Galilee, to a virgin pledged to be married to a man named Joseph, a descendant of David. The virgin’s name was Mary. The angel went to her and said, “Greetings, you who are highly favored! The Lord is with you.” Mary was greatly troubled at his words and wondered what kind of greeting this might be. But the angel said to her, “Do not be afraid, Mary; you have found favor with God. You will conceive and give birth to a son, and you are to call him Jesus. He will be great and will be called the Son of the Most High. The Lord God will give hint the throne of his father David, and he will reign over Jacob’s descendants forever; his kingdom will never end.”

Luke 1:26-33

ABOUT THE ARTIST

Thomas Salvatore Fricano, painter, printmaker, sculptor, and teacher, was born in Chicago, Illinois on October 28, 1930. In seventh grade, he received a scholarship for weekend art classes at the Art Institute of Chicago. Students had to apply themselves to earn a scholarship and Fricano received a yearly scholarship until he graduated from high school. He enrolled at Bradley University in Peoria on scholarship where he studied painting and was introduced to printmaking by John Ihle, Dow Mitchel, and Ernest Freed. He received his BFA degree from Bradley and his MFA degree at the University of Illinois, Urbana in 1956. Fricano returned to Bradley as an instructor in printmaking, teaching between 1958 and 1963. He moved to Southern California and taught at California State University at Northridge from 1963 until his retirement in 2000.

Fricano was a visiting artist at numerous colleges throughout the United States, including Ohio State University, the Art institute of Chicago, and the Cranbrook Academy. He received a Fulbright scholarship in 1960 and used it to study in Italy. He also received the Louis Comfort Tiffany Residence Grant in 1965 and a John S. Guggenheim Memorial fellowship for 1969-1970.

A highly creative printmaker, Fricano pushed the edges of printmaking techniques and studied the combination of intaglio and screen printing. He created assemblegraphs by combining cut outs with found objects that would fit on the bed of the press. His printmaking classes covered intaglio, screen printing, and lithography.

Tom Fricano’s work is represented in the collections of the Blanton Museum of Art, Austin; the Brooklyn Museum, New York; the Art Institute of Chicago, Illinois; The Coos Art Museum, Coos Bay, Oregon; the Detroit Institute of Arts Museum, Michigan; the Los Angeles County Museum of Art, California; the Fullerton College Art Department Permanent Collection, San Simeon, California; the Seattle Art Museum, Washington; the Philadelphia Museum of Art, Pennsylvania; and the Library of Congress, Washington, D.C.